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But the crazed notion that gender isn’t just the first way to identify a remake, but the only way to do so, speaks to a disturbing cultural epidemic that must be swiftly remedied by more movies and television starring women in smart and active roles, unsullied by the sexualized gaze of a pornographic oaf like James Rolfe. Maybe you’d view movies this way if you’d spent a lifetime refusing to live with your shortcomings, carving the likenesses of Stallone and Schwarzenegger onto your own personal Mount Rushmore when not ordering vacuum devices or getting easily duped by Cialis scams.
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Because there’s no other way to identify the movies. But I can’t blame everybody for identifying that way. Does that mean we have to call the old one the male Ghostbusters? It doesn’t matter. You know what everybody’s been calling it? The female Ghostbusters. One month later, a smug bespectacled mansplainer by the name of James Rolfe put a human face to this underlying sexism, posting a video (viewed by nearly two million), shot in what appeared to be a creepily appropriate basement, in which he vowed not to review the new remake: Much as a “silent majority” had propped up Trump under the illusion that a billionaire’s outspoken sexism and bigotry somehow represented an anti-establishment “candidate like we’ve never seen before,” these fans downvoted the new Ghostbusters trailer in droves when it was released online in April. Just as some vocal fans protested the excellent film Mad Max: Fury Road for being “a piece of American culture ruined and rewritten right in front of their eyes,” the Ghostbusters absolutists knew that the studios wanted their dollars and that they could still get away with voicing their reactionary sentiments through the same cowardly anonymity that allowed Donald Trump to emerge as presidential candidate. Fan entitlement, long rooted in a patriarchal sense of childhood nostalgia that the Daily Beast‘s Arthur Chu shrewdly pinpointed as “‘pickup artist’ snake oil - started by nerdy guys, for nerdy guys - filled with techniques to manipulate, pressure and in some cases outright assault women to get what they want,” once again failed to do a little soul-searching and reflection on what its inflexible stance against the natural evolution of art truly means. When Sony announced that it would be remaking the rightly beloved 1984 Ghostbusters movie, with women wearing the proton packs and Bridesmaids‘s Paul Feig on board to direct, you didn’t have to look too hard at the galleon being craned up for a retrofit to see the unsavory barnacles of terrified white manboys clutching onto the hull for dear life. The Great War and Modern Memory (Modern Library Nonfiction #75).The Tyranny of Henry James: A Conversation with Dinitia Smith.The Alexandria Quartet (Modern Library #70).My Henry James Problem: Dinitia Smith and Susan Mizruchi (The Bat Segundo Show #553).